By José Gandue @Gandour
Friends, the machines have started up again and now they intend to save us from boredom. Suddenly, in the 21st century, we find ourselves in a well-executed replica of the famous New York club Studio 54, and we feel it all around us. the invasion of thousands of sequins, the sparkle of the crystal balls, some magic powders that invite euphoria and the innocent cheekiness of the dancers, candidates to reproduce the moonwalking of Michael Jackson and the Saturday night sway of young John Travolta. In what blessed second did we activate the devices that took us back in time and made us search our parents' closets for bell-bottoms and wide-collared shirts that suggest we bare our chests, and put on the gold jewelry that will glitter near our hearts as we strut until dawn, believing ourselves to be playboys of the new era? Perhaps the return of Italo disco And its variations will try to save us from the decline of reggaeton and other sonic species that relentlessly surround us these days. Perhaps, And we dare to think about it with a glimmer of hope in our hearing aids,That's what the Argentinian is dreaming about. Gio, releasing their first album All inclusive.
His ID lists him as Guido D'Andrea, he lives in the city of Buenos Aires, and after being part of a project called Los Tiros, with a more experimental sound garage, Now, as a solo artist, It returns to the foundations laid by geniuses like Giorgio Moroder, Ryan Paris, and Gino Soccio And it offers us a new pop mayhem, which, to be honest, sounds exhilarating, rich in nuances and a party to the extreme. His music has a good-humored, digitally audacious quality and a healthy dose of disco-funk nostalgia., Ready to break the monotonous mold of current dance hits. Her album is short (barely twenty-six minutes), but with songs like Gang Bang, Colombian Sound Machine y Baby (I'm on fire)), among others, the celebration inevitably catches fire.
What Gio does is enjoyable, and although we have heard similar proposals from other artists in past decades, he achieves his own identity. And it comes at a perfect time, when revelry requires new textures and renewed excuses to keep dancing. All inclusiveIt arrives just in time and perhaps helps us shake off the lethargy of contemporary repetition. Let's hope so, because the nightlife needs it.