By the Zonagirante.com team @spinning zone
Oh'laville – The Towers
This Bogota band, along with their producer Kiko Castro, has felt the urge to experiment and investigate new resonances that break, for the moment, their personal noise norms, giving themselves permission to explore fusions and new sonic machinery. They have used the warmth of their home to replace the drum kit with folk drums and add technology instead of some strings, And although the final result can still be defined, without paying attention to the usual demagogues, as a rocker, they don't let themselves be trapped by old rules and rather, like those who venture into the middle of the night with their lantern in the middle of the forest, they are willing to be seduced by whatever they find along the way. Samir Marun, their longtime videographer, has captured the essence of the work and has decided to create a very fun audiovisual piece, with moments that seem to have been planned by Piet Mondrian, subtly marking each moment of the song.
Mato Ruiz – To see
Directed by Chivas Argüello and Tobías Cédola, this beautiful piece from the city of La Plata is a magical combination of a great song that captivates the listener from the very first second, enhanced by the exquisite photography and acting of the accompanying video. In five minutes The viewer will witness a delightful homage to madness, where every gesture, every glance, every object that passes in front of the camera, completes a story that conveys anguish But thanks to the beauty captured by the lens and the wise decision to convert everything to black and white, the film grips the audience, making them celebrate every moment of the protagonist's alienation, from his attentive observation of what he sees on television, mimicking the movements of Humphrey Bogart or Robert De Niro, to his dangerous dances on the terrace, almost on the verge of suicide. A great film that you shouldn't miss.
CVMille – Sweetness is cloying
CvMille, an Argentinian artist based in New York City, after a couple of hits on the Latin R&B charts, releases her third single, where she continues to experiment with combining genres like Trap, House, Reggaeton, and Pop. She also uses the track to complain, as if in a diabetic coma, about overly saccharine relationships, those that border on and cross the line into cheesiness. The visual representation we observe in the video is... It constantly explores the indigestible, the excessively sweet, and every element we see in the projection seems like an overdose of the most glittering and fawning costume jewelry on the planet. The image of the banana covered in tinsel is fantastic and representative of everything that happens throughout the production. It works, at least to make us laugh for a while at the pink overdose that overwhelms us.